Byron had a fascination for the supernatural — so the reputedly haunted seat of the Byron family, Newstead Abbey, became a favourite venue for Byron’s entourage. His gothic flamboyance perpetuated this sense of the spooky. A coffin stood at one end of the dining room, which Byron had turned into an indoor shooting gallery. Skulls of the monks who had been at buried at the abbey and Byron’s own ancestors from the family crypt were used as flowerpots that lined the walls. He also had a drinking mug made from one of these monkish skulls and served drinks in others. Byron and his friends even wore long, dark, hooded robes as worn by medieval monks, for their soirees. When Percy Shelly was cremated, Byron asked if he could keep Shelley’s skull but he was refused because of his fetish for using them as goblets.

Ada Lovelace was Byron’s only legitimate child. Byron separated from her mother a month after Ada was born and left England forever four months later, eventually dying of disease in the Greek War of Independence when Ada was eight in 1824. Ada’s mother remained bitter towards Lord Byron and promoted Ada’s interest in mathematics and logic in an effort to prevent her from developing what she saw as the insanity seen in her father.

However, Ada remained interested in Byron despite this (although he never had a relationship with her) and was, upon her eventual death, buried next to him at her request. Ada worked with mathematician Charles Babbage on the Difference Engine, a calculator, and the Analytical Engine, a mechanical computer for which she wrote the world’s first algorithms. She showed amazing foresight concerning the abilities of computers to do more than deal with numbers. Ada was the world’s first computer programmer and the programming language ADA was named in her honour. She died at 36, the same age as her father. In her final years she was like her father in other ways, including romantic scandals, problems with alcohol and opium, and gambling debts.

Byron savoured being a faux military General. He constructed two small stone forts on the edge of his lake and launched a fleet of toy ships, which he spent entire days directing while hidden in his fort. He even got his servant to sit still in a small boat in the lake and ‘command the ships’, involving pushing them around and making cannon and whistle noises with his mouth.

Escaping from Britain with a cloud of infamy hanging over him led Byron firstly to Venice, where his singular preoccupation was to learn Armenian. Venice was and is the home of the Mekhitarist Congregation, a collection of Armenian monks who had settled there. He was impressed by the monks ethos and the rich language. Today, Byron’s brief interaction with the Armenian community of Venice is celebrated with a preserved room where he worked, with items he used. He was the first Westerner in the modern era to take an interest in Armenian culture.

During his summer with the Shelleys at Lake Geneva in 1816, Byron suggested the group spend a rainy afternoon writing ghost stories. Mary Shelly wrote what became Frankenstein and Byron’s doctor William Polidori wrote ‘The Vampyre’, the story that inspired future interpretations from Dracula to Twilight. This vampire story was read all over Europe and based on a literary idea by Byron himself (the story was first published under Byron’s name originally explaining the great interest). The type of vampire in the story was wholly new. Previously the vampires in European folklore were peasants and villager spectres, dirty with talon-like fingernails as seen in Werner Herzog’s Nosferatu.

By contrast, Polidori’s vampire is rich, aristocratic and weighed down by ennui — much like Byron himself. The vampire is called Lord Ruthren, a name that can be linked back to Byron, as one of his former lovers Lady Caroline Lamb created a villain called Lord Ruthren Glenarvon, incidentally written as revenge against Byron. Lord Ruthren has cold grey eyes, it is impossible to know what he is thinking and he mixes with the cream of high society. He is liked, but is a secret predator eager to lead the virtuous astray with his charms — traits which are familiarly Byronic.